When I first began my foray into creative writing, I edited my work as I wrote. At the time I was writing fan fiction, and I’d post chapters as I finished them, so editing as I wrote made sense. When I transitioned into original fiction, I kept the same writing style, as it was comfortable and I didn’t want to try something new right away. I completed one manuscript just in time for National Novel Writing month, and decided to try something new with my next manuscript: I’d write the first draft in November in one quick spurt, and then go back and rewrite and edit. I never finished that manuscript, as the story petered out and I had ideas to combine ideas with my previous manuscript. When I started Seer, I again decided to try my hand at writing a first draft all in one go and then coming back to edit.

I finished the first draft of Seer at the end of March, and am currently rewriting/revising the second draft. I’m also pulling my hair out in large chunks. (Okay, not really, but I feel like it.)

I’ve realized I am not suited to edit after I write. I love editing–it’s my favorite part of creating a new story–but tossing out huge chunks of the story because I decided to change something halfway through writing the first draft is really annoying. I can’t count how many times just this week I’ve thought “This sucks, everything I write sucks, I should just give up.” While writing my first manuscript, I never had those thoughts. Sure I had to rewrite parts, and I had ideas in the middle of writing that I came back to later on, but all in all I felt good about the story. I felt good about where it was going. I felt good about the characters. I felt good.

Maybe it was because it was my first manuscript, and I had that “oh this is so wonderful” feeling you get when creating something all your own. I won’t know for sure until I start another book. But when that time comes, I will be editing as I write. Sure it will take longer to complete an entire draft, but at least I’ll feel better about the story when it’s finished.

Have you ever experimented with your writing methods or style? Has it backfired or been successful? I’d love to hear stories in the comments.

In addition to writing speculative fiction, I also co-host a weekly podcast called Tosche Station Radio. While I’ve always considered myself a writer, I never thought I’d co-host a podcast. I enjoyed listening to them, but knew nothing about audio production or hosting a show or any of the other technical details. But last year my co-host in life and fandom, Brian, decided he wanted to start a Star Wars and geek culture podcast. He also decided that I would co-host.

And here we are, 55 episodes later. I write the show notes, Brian takes care of the recording and uploading. It’s a beautiful partnership.
Last night, after recording an especially fun episode, I began thinking about how podcasting and writing are similar. Both are creative endeavors that can be done independently or within a larger production company. Just as writers get paid for their endeavors, so do some podcasters. Even amateur podcasters run ads on their shows to regain hosting fees and other bills associated with the show.
Like all stories, podcasting starts with a simple idea. Maybe you want to discuss news and current events. Maybe you want to talk about a hobby, such as photography. Maybe you want to discuss sports. Maybe you want to discuss technology, or a geeky subject you enjoy, or a myriad of other topics. Even general podcasts like The Morning Stream have to start with a basic format or premise.
Then you have to produce the podcast. Most podcasters don’t recommend buying expensive microphones and other audio equipment when you’re just starting out. It’d be like buying the best, most expensive guitar before learning to play one chord. Record a few episodes, see if you actually enjoy podcasting, and then you can invest in better gear. Brian wrote a great post about different kinds podcasting gear available at various price points. If you want more people to listen to and enjoy your show, you’re going to have to invest some time and money into your production value. You don’t have to be professional-grade, like shows on the TWIT and Frogpants networks, but there’s no reason why you shouldn’t produce the best show possible.
You also have to consider the method to your madness when recording. Do you want to use show notes? If so, do you want to firmly stick to them or do you want to allow yourself to go on tangents? Or would you prefer flying by the seat of your pants? All of those are valid options, and will create very different kinds of podcasts. You should also consider the tone of your show. Are you serious? Are you more entertainment-based? Do you want to make people laugh? Do you want to include sound effects and music? Will you have regular co-hosts or a rotating crew? What about special guests? Interviews? Also, how long will your show be, and how often will you record? There’s so many options!
But all of that means nothing if you don’t have good content. A podcast can be born from a fantastic idea, and have engaging hosts and high production value, but nobody will want to listen to your show if you have nothing interesting to talk about. I’m sure some people would listen to Morgan Freeman or Ian McKellan read the phone book for an hour, but a podcast produced by two regular, run of the mill fans isn’t going to get off the ground if your content is boring and there’s nothing new or engaging about your show.
Sometimes podcasting seems like the brave new world of the internet. There are so many podcasts out there, on nearly every subject imaginable. I don’t podcast or blog to make a living; I do it because it’s fun and I really, really like Star Wars. There’s some barrier to entry–you need a microphone, some kind of recording software, some kind of hosting site–but you can get started relatively easy. Growing the show and building an audience is where it gets difficult.
The same is true of writing. Anyone can get on their computer or get out a pad and paper and write. Not everyone is going to have the dedication to finish a novel, and only some of those novels are going to be good enough for publication. With the advent of self-publishing, it’s easier than ever for someone to put out their novel on Amazon or Barnes and Noble or even their own website. If you want to be taken seriously, however–if you want writing to be your profession, not just a hobby–you need to make sure your production value is high, and your content is the best it can be. Just like podcasting.

I’ve been thinking a lot about self-publishing lately. Dahlia Adler recently wrote a great blog post about different publishing paths, and how to choose yours. Hugh Howey wrote an article for Salon explaining why authors should choose to self-publish. On his blog, Chuck Wendig responded by asserting that both traditional publishing and self-publishing are viable options. Mike Stackpole, one of my favorite writers in the Star Wars Expanded Universe, is a great proponent of digital self-publishing. Thanks to Twitter, I’m also aware of a lot more people choosing the self-publishing path, and two of my Star Wars friends (Bryan Young and Janine Spendlove) are self-published authors. Even the Sword and Laser podcast is getting in on the action, with a short story anthology coming soon.

Despite all the great information out there on the web, I’m still torn on how I want to get my writing out into the world. I still have a few months until my latest WIP is ready to pitch, however I choose to do so. But in the meantime, I can’t stop thinking about what I want to do. I’ve queried one novel, and got valuable experience doing so. I’m currently pitching short stories to various publications. In this way, I’m looking for validation (not to mention a lot of much-needed help and guidance) from “the gatekeepers.” Part of me really wants to get an agent and sell a book to a traditional publisher. I keep thinking to myself, “You already have a full-time job. Do you really want another?”

Sometimes, I answer myself: “Yes!” I want to control my career. I want to be able to write a short novella and put it on Amazon and not have to worry about whether or not its marketable. I want to be able to choose my cover and decide on a marketing plan and release as many books as year as I want (within reason). I don’t want to rely on a publisher for all of this stuff.
Yet, I sometimes do. It would be nice to have somebody hold my hand through the process. But I can do that with self-publishing, too.
I could be a hybrid author: publish traditionally and on my own. Some agencies, like Foreward Literary, are encouraging this. And that’s great! It really is! But it still doesn’t make my self-imposed “choice” any easier.
In the meantime, I’ll keep writing…

Lately I’ve read a lot of blog posts and articles on rejection. While it’s comforting to know I’m not the only author to go through this, it doesn’t stop the feeling that I’m never going to get published. Between rejected queries, partials, and short stories, sometimes I want to throw in the towel. There are so many authors out there trying to get a break, many of them just as good at writing as I am. Sometimes I feel like they’re way better, and I’m never going to be able to compete. How can I among thousands and thousands of authors? I know I’m a good writer, but am I good enough to rise above the rest of the crop?

My logical, pessimistic brain often says “no”, but I keep writing anyway. Last night, after having a short story rejected, I responded by being dejected for about ten minutes, then submitting the story elsewhere and opening up Word to write another one. Even when this endeavor feels hopeless, I have to write. A few years ago, I wrote a ton of fan fiction that I posted for free on the internet. People read my stories, liked them, and it made me happy. I sometimes write opinion pieces for Tosche Station, and am always happy to receive feedback, good or bad. I don’t get paid for those, either.

The point is – I love to write. I love to create. I’m going to keep doing it even if my friends and people on the internet are the only ones who read my stuff. I will write for free. I will write as a hobby. I will write because it’s what I do.

This doesn’t mean I’m giving up – far from it. If I’m going to write, I’m going to do everything in my power to get published. And the great thing about publishing right now is having options. I can query agents and submit short stories to traditional markets, or I can publish stories on my blog to gain an audience and submit other stories to smaller websites and even self-publish a novel if I feel like it. I can do whatever I want, and that’s a great feeling. I’m not tied to one path, one way of getting my work out there.

No matter what I decide in the future, I won’t give up. I’m always going to write, and I’m always going to want an audience. How I find that audience is up to me.  

Another meme. What can I say – I like these things!

1. What is the title of your book?

SEER

2. Where did the idea come from for the book?

Several years ago, I wrote a short story about a boy and his ghost brother. I really liked the idea, and kept it in my pocket for later. Sometime in February, I think, while falling asleep, I got a flash of brilliance and figured out how I could make this story happen. And thus SEER was born. It’s now about a girl who talks to her dead brother, and definitely not a comedy, as was the case with the first story.

3. What genre does your book fall under?

YA science fiction

4. What actors would you choose to play your characters in a movie rendition?

I haven’t thought of this at all. Maybe Helen Mirren or Judi Dench as the main villain, because they are awesome dames who kick ass.

5. What is the one-sentence synopsis of your book?

With the help of her dead brother, a teenage girl seeks revenge on her family’s murderers.

6. How long did it take you to write the first draft?

Still in progress! I started on February 15 and I should be finished sometime the week of March 18.

7. Who or what inspired you to write the book?

I wasn’t getting far on my last WIP, so I decided I needed to trunk it. All I could think about was SEER, so it was the obvious choice for my next novel. The boyfriend’s enthusiasm helped a lot.

8. Is your book published, upcoming, and/or represented by an agency?

It is still in progress. It will be my second book queried to agents.

I am currently:

LOVING:

My new Skechers Go Walk shoes. They’re magic shoes that make you feel like you are walking on a cloud. I can’t wait to wear them to theme parks and conventions.

READING:

On Basilisk Station, the first Honor Harrington novel, by David Weber. Reading progress has stalled greatly on account of trying to finish the first draft of SEER by March 14.

I have lofty goals.

WATCHING:

Star Wars: The Clone Wars (season finale tomorrow…I am wary); Once Upon a Time; lots of HGTV, particularly Love It or List It and Property Brothers.

THINKING ABOUT:

Writing my next chapter, getting edits back to my flash fiction piece, and this short story idea that hit me in the shower last night.

ANTICIPATING:

The boyfriend is coming to visit on March 14. Saturday we are going to MegaCon and Sunday we are going to Universal Studios. It will be awesome.

WISHING:

To escape the slush pile.

MAKING ME HAPPY:

It’s Friday! Thank the Maker!

Because this is the best place to post this, and it counts as a blog update!

  • Write one piece of flash fiction per month
  • Update writing blog at least once per week
  • Finish and prepare Seer for submission
  • Outline and write synopses for sequels
  • Write another first draft and outline sequels
  • Outline novel with co-author
  • Revisit Robber Barrons